Friday, September 15, 2006

sandman

What a creepy series of comics these do be. (Or graphic novels, whatever you prefer) I think that Neil Gaiman has a very twisted mind. But intriguing at the same time. I mean, he writes some good stories, particularly in comic book form. I think most of his novels seem a little unfinished somehow when you read them. Or the ones I've read anyway. There are some really great ideas though. 'Neverwhere' had a great premise, for example, based in a subterranean world below London, half real but mostly fantastical, populated by the disspossed and the forgotten of the past, present and myth. But I felt dissatisfied with it in the end. Ultimately it didn't feel whole, as though he'd left bits out, and I don't know how well he communicated the setting. As for the story, it was confusing, and I don't remember it all that well now, which must tell you something, right? I only read it at the end of last year. Not that my memory for details is very good...
but my point is that Gaiman's form of grotesque works wonderfully in comic book form, though maybe not for the faint of heart or stomach Sandman is some good fantasy. Works the real, the mythological and the completely made up and fanciful nicely together. I am only up to book 5 though, so I haven't actually finished them yet.
I do always wonder though, what goes in in Neil Gaiman's head all the time. Why does he write this stuff? Fascinating, but bizarre...

Monday, September 11, 2006

on verse

I had alot of time to kill on the bus trip back from Canberra, and so I was reading through my English textbook (The Norton Anthology of Poetry, 5th edition, so not too bad at all)for about three hours. This is just so that you understand the cotext in which I came up with the idea for this post.

Why do people always associate poetry with rhyme? It doesn't have to be the case. And I think that most people would know that alot of poetry doens't rhyme, or is at least not in rhyming couplets. This is not even a new idea. It's not just these new-fangled poets who dispense with tradition and so rhyme. Old English poetry doesn't rhyme, it alliterates instead. Shakespeare often wrote in blank verse which means NO RHYMING. Robert Browning doesn't always write in rhyme. In short, poetry doesn't necessarily equal rhyme even before the 21st century.
Now, I have to confess that I am a bit biased in this as I always thought that rhyming couplets tend to sound silly. And abab structure, or something a bit more sophisticated like that, that I was fine with, but no couplets for me and blank verse for preference. I have recently realised the error of my ways, however. For if you look at the General Prologue to the Canterbury Tales, written by no less than the great Chaucer, you will find that it is in rhyming couplets. The thing is, I didn't even notice this for a long time, because he writes so well it sounds natural. Which is of course the key to couplets. You can use them to finish off a poem, taht works, you can write a whole poem in them for comic effect, but if you want to do anything else you'd better be really, really good, or you're just going to sound silly. I warn all you poets out there, beware the rhyming couplet. Turns out rhythm is more essential than rhyme. Although you should read 'Columbus' by Ogden Nash. It only illustrates my point of course, but it's very funny.
In English now we are studying some sonnets by Edmund Spencer, called 'Amoretti'. I think they're a little dull personally. But I tried to write a sonent myself, and it's very, very hard. You don't know where to start. I have a quatrain and a half of (roughly) iambic pentameter, but it's also a little dull. Doesn't matter, mostly I'm just excited to feel like I finally understand what iambic pentameter is. Only three or four years into my English degree... (I had it explained to me before, maybe last year, but feel able to understand only now)

I see I got a little distracted from actually arguing anything, but my final thoughts will perhaps digress even further. They are: those old poets were truly impressive! They wrote so much, so skillfully; because those verse form are hard to master. Poetry in general is a hard thing to do, so I am filled with new found respect for those who do it well.